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From Watercolor Magazine - December 2001
Inspired by nature and architecture, Alice-Marie Gravely
became an artist when she retired from a 20-year career in
corporate film and video. She had worked exclusively with
realistic subject matter and was attracted to abstraction,
especially after taking a workshop with Mary Alice Braukman.
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Red Horizon
1999, acrylic, 36" x 40"
Alice-Marie Gravely. |
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Burnt Browns
1999, monoprint, 16" x 22".
By Alice-Marie Gravely.
Collection of
Mr. and Mrs. Thomas Curley. |
Gravely considers line, color, and texture as she develops work.
She enjoys the spontaneity of her process, which begins with a
watercolor base on paper. Next, she applies acrylic medium and
numerous layers of watercolor and acrylic paints, gradually building
the image. Later, she selects and adheres collage assembled from
catalogs and magazines.
"Sometimes I begin with an idea or theme in mind, but I
often deviate from it as the work progresses," Gravely
points out. "Some thing might pop out at me, such as the
red circle in Red Horizon. I didn't realize I was developing
a landscape of a sunrise until I noticed that red circle." She
works on seven or eight pieces at a time in her studio, and they
often influence one another, such as when she includes a color
in one piece that she mixed for another.
"In my view, layering is not just about putting one type
of medium on top of another. It is more about contrast: light
to dark, thin to thick, tiny next to mammoth, and cool sensations
near warmth," the artist says. "You can also layer
concepts and ideas. A good example of layering will make a
viewer think and feel."
Gravely, who lives in Maryland, is represented by Foundry Gallery
in Washington, DC.
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